Orgy or The Man Who Gave Birth

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots o...

In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli....

Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images...

A meditation on freedom and technological approaches to manifest destiny.

A story of diaspora. The film criticises the myth of Swiss neutrality, which violently masks structural, systemic, and social passivity.

Grappling with the burden of loss, a drifter becomes engulfed in the reckless lifestyle of a group of bohemians. Through a series of events, he is for...

Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define thei...

Marital Rape Is Real is a short film adapted from several published essays on marital rape by Shanon Lee.

For a young boy, ordinary facts and things of daily life seem to have great importance.

A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterrane...

An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-lif...

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work cent...

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be sc...

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.