Steve-O: Demise and Rise

The Business of Recovery examines the untold billions that are being made off of families in crisis. With little regulation or science, addiction trea...

Hi, My Name is Dicky is a sports documentary about hockey player Richard Clune, and his struggle with substance use disorder while playing in the Nati...

Filmmaker Angelo Madsen Minax returns to his rural Michigan hometown following the death of his infant niece and the subsequent arrest of his brother-...

Every day in the United States, law enforcement agencies at the local, state, and federal levels—including the FBI and DEA—use investigative resources...

An account of the life of the brilliant jazz musician John Coltrane (1926-67),a gifted saxophonist, an extraordinarily talented thinker whose origina...

Robert Mitchum narrates an anti drug propaganda film.

CBS TV news special hosted by Harry Reasoner explores the way-out world of the Hippies and the Haight-Ashbury psychedelic 1960s LSD scene. Footage of...

A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The j...

Ibogaine is a plant extract that stops drug addiction. In this documentary, a 34-year-old heroin addict undergoes ibogaine therapy with Dr Martin Pola...

Megacities is a documentary about the slums of five different metropolitan cities.

An immersive look at the eventful life and brilliant artistic career of visionary American jazz trumpeter Miles Davis (1926-1991).

The 60s equivalent of Reefer Madness and all those other 30s drug exploitation flicks. Apparently, dropping acid leads to stripteases, cat fights, pro...

Nobody captured the atmosphere of 1990s Berlin better than German photographer Daniel Josefsohn, who died in 2016 at the age of 54, leaving his mark i...

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for h...

By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. B...